You can thank Alfred Hitchcock for movies having set showtimes
Do you remember ever walking into a movie right in the middle of the story?
Going to movies in the modern age has its pros and cons. Plush, reclining seats practically kick back into bed, like a first-class flight. Those are great. On the flip side, there are those people fiddling with their phones that distractingly glow like magnesium flares. Of course, people have been talking in movie theaters since, well… probably since the Lumière Brothers invented the movies.
We love the movies, and go all the time, don't get us wrong. That is how we develop these pet peeves. Another one is the coming-and-going of the audience in the middle of the film. It breaks the fantasy and sucks your attention away from the screen. But imagine if the crowd was constantly arriving and departing, if the doors to the lobby were swinging open and shut throughout the flick, if ushers were shining flashlights up and down the aisles as you tried to concentrate.
This is the way it was for the first half of the 20th century. Some of you might remember. Because movies did not have showtimes until 1960.
That sentence might seem so strange to younger generations, so let us repeat it. Movies did not have set showtimes. Remember, this is the era before cineplexes, when most films were screening for a couple days in a grand movie hall or local, single-screen theater. The theaters simply projected the movies on a loop throughout the day. People would come and go as they please. You could enter when you want and stay as long as you please.
In hindsight, it's a little hard to fathom. You and your date walk up to the box office, purchase a couple tickets, and settle into your seats — in the middle of the movie. You watch the ending, sit through some newsreels, and catch the beginning that you missed.
So why did this all change? Besides the obvious inconvenience.
You can thank Alfred Hitchcock, his twist endings, and perhaps the first spoiler alert in movie history.
In 1960, the Master of Suspense was releasing his latest shocking film, Psycho. Suffice it to say, you would not want to walk into the theater just before the final act to see Norman Bates… well, spoiler alert. Those who have seen Psycho (and who hasn't?) know that seeing the ending before the beginning would ruin the entire story. Which is why Hitch appeared in newspaper advertisements instructing audiences to show up to the theater on time, at a set time, at the beginning.
"Surely you do not have your meat course after your dessert at dinner," the ad began. "You will therefore understand why we are so insistent that you enjoy PSYCHO from start to finish, exactly as we intended it to be served." Hitch tapped at his watch with a chiding look on his face next to the text.
The director went to even more extreme measure to secure the details of his devilish twist ending. He purchased as many copies as possible of Robert Bloch's novel that inspired the movie. He held back the film from critics.
But set times were his greatest achievement. Some marquees in front of theaters commanded, "SEE THIS THRILLER FROM THE BEGINNING."
If Hitchcock hadn't done it, perhaps George Lucas would have gotten around to it. Can you image walking into The Empire Strikes Back just as Darth Vader declares, "Luke, I am your father!"
Sorry, spoiler alert?
67 Comments
Green Ghost...great set of books!!!
BTW, Hitch was wrong when he said you don't eat the dessert first and the meat after. I am at this very moment poised between just those two tasks.
But the one of the biggest features that drew people to theaters- air conditioning.
The first reel was then rewound, and the process would start again for the next show.
By the 1980s, giant turntables with the film footage lying on it [like a record] *was* fed in a loop so play could be continuous... but before that, the work was all manually done...
Only question left is what one to show the MeTV Quizzer Lot. It's not going to be Psycho since some of you might pass out-ha ha j/k. I could but I am saving it for another time. I will put on my favorite one besides Psycho. North By Northwest. Most have seen this but those who did not take heed and watch. Just copy and paste into any browser-PC, I-Pad, Android phones or tablet. If you have Chromecast or screen casting along with Apple play types you can put right to your TV screens. Happy to have this Alfred Hitchcock story and it only seems right to comment and post a movie.
North By Northwest (1959)-2 hr 16 min- Action--Adventure--Mystery---Rated 8.3
Director
Alfred Hitchcock
Stars
Cary Grant---Eva Marie Saint---James Mason---Leo G. Carroll---Martin Landau
A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies, and falls for a woman whose loyalties he begins to doubt.
https://ia601808.us.archive.org/20/items/northbynorthwest_202101/North.By.Northwest.1959.720p.BluRay.x264-%5BYTS.AM%5D.mp4
I was (I still am) a huge Beatles fan. When "A Hard Day's Night" and "Help!" were showing, I'd sit in the theater all day on Saturday and watch them over and over. When VHS and DVD versions of the films came out, well ... let's just say I probably know the dialogue by heart.
Anyhow, this is where I came in ...
Paul: Well he's my grandfather as well.
?John? How do you figure that?
Paul: Well everyone's entitled to two and he's my other one.
.
Auntie Mame (1958)-Comedy--Drama--Romance-2 hr 23 min
Director
Morton DaCosta
Stars
Rosalind Russell---Forrest Tucker---Coral Browne---
Fred Clark---Roger Smith---Peggy Cass-
This movie tops out at 7.9 on the IMDb scale. Even Forest Tucker can play in a role other then Horror B's or F Troop-
https://ia802203.us.archive.org/2/items/AnteMme1958/AnteMme1958.m4v
The World of Suzie Wong (1960) 2 hr 6 min--Drama--Romance
Director
Richard Quine
Stars
William Holden---Nancy Kwan---Sylvia Syms
https://ia903407.us.archive.org/27/items/ThWldfSzeWg1960/ThWldfSzeWg1960.mp4
9/10
Liz Moore: the unseen star
tomsview1 May 2018
There are layers to "The World of Suzie Wong". I find it engaging, surprisingly witty, and William Holden and Nancy Kwan have charisma to spare. However the way the film highlights how the Chinese were classed as social inferiors is wince-inducing. Especially so now that China is an emerging super power, and the fact that if you go to a hospital in my city, Sydney, your life is very likely to be saved by a Tan, a Chan or a Wong.
But this film is a time capsule of the way things were. The film actually treats the Chinese rather respectfully. Even though the bar girls at the center of the story are prostitutes, they are presented as worthwhile people and given a certain dignity although I can't imagine Elizabeth Taylor or Audrey Hepburn swapping places with Nancy Kwan when William Holden tears off her dress.
As an artist, I enjoy the art aspect of the story. It's amusing watching William Holden pretending to paint Suzie in his bedroom studio. Bill is a neat painter. No dustcoat or apron for him, even though a spatter of Alizarin Crimson or Cerulean Blue would turn his trousers into painting pants immediately - I possess about 50 pairs of painting pants.
But I have always admired the paintings he executes as the story unfolds. Bold, confidant works with powerful composition and superior draughtsmanship.
Recently I discovered that they were done by Elizabeth Moore, a sixteen-year-old art student attending Kingston Art School in London. Sixteen! Amazing. Better known as Liz Moore, her first love was sculpture. She went on to create the Star Child for Kubrick's 2001 and then the 'nude' furniture for the Korova Milk Bar scene in "A Clockwork Orange". Finally she was involved in creating the costume for C3PO and the Stormtrooper helmets for "Star Wars".
There are a couple of sites that have tributes to her and show other work including busts of The Beatles and Dame Sybil Thorndike. Another site features "The centrepiece painting from the film 'The World of Suzie Wong'", revealing thickly applied impasto. Photos of her show a vibrant blonde. Sadly that beauty and talent was crammed into too short a life. She was killed in a car crash in Holland in 1976 aged only 32.
To those who know, "The World of Suzie Wong" is a legacy to that burgeoning talent and a gift that would seem to have been divinely inspired.