A brief history of the creepy doll seen across classic TV

A by-no-means-comprehensive look at the trope of the killer toy.

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Some ideas frighten us so badly that they are constantly revisited, burrowing into our collective unconscious. Some stories are retold and re-interpreted to scare entirely new generations. Zombies, apocalypses, axe-wielding slashers; every decade is full of our revisited anxieties, adding new context to our most primal fears. These are formats that we fill with new details specific to their time, but the skeletons stay the same. These archetypes, no matter the era, can be dredged back up to prey on our uneasiness.

One of those dreadful tropes is the creepy doll. Storytellers have long imbued objects with human emotion, and the puppet story Pinocchio is a great focal point to investigate our anxieties regarding animated toys. While Pinocchio is the story's protagonist, his misadventures have some frightening implications. Gepetto plays God and is immediately the worse for it. This idea of a God-complex character meeting their demise at the hand of their creation re-emerges throughout the history of the subgenre.

As nearly as long as filmmakers have sought to scare their audiences, those filmmakers have used scary toys. An early example of scary dolls in cinema is the 1929 film The Great Gabbo, in which the titular ventriloquist becomes disquietingly reliant on his talents. While the stories ventriloquist dummy Otto doesn't act entirely of its own accord, its eerie visage is enough to scare you on its own. Many of the specifics of this type of story crystallize with 1945's Dead of Night, featuring another ventriloquist dummy. This time, not only does the dummy act of its own volition but also the dummy (here named Hugo) visits harm upon its owner and any who cross its path.

Ok, so with a few early examples accounted for, we can begin looking at why these stories are effective. Typically, toys and dolls are children's things, innocent, friendly-faced, and harmless. We associate these qualities with the innocence of childhood, so when they're subverted, it's very scary! 

An important definition in understanding what makes killer dolls scary is the "uncanny valley." This is a concept in design wherein a creature (or in this case a toy) is somehow both lifeless and lifelike. That feeling of uncanniness comes from the doll looking realistic enough to be disconcerting, while also not looking realistic enough to be natural. Sigmund Freud wrote of children's inability to see the "distinction between the animate and the inanimate," while adults have repressed those childlike qualities. This last concept works hand-in-hand with the aforementioned fear of corrupted children, usually manifesting as codependency between the child and the killer doll.

Alright, so now that we understand some of the psychology of what makes these creepy dolls creepy, let's take a further look at some examples throughout the history of media:

"Talky Tina, a doll that does everything, a lifelike creation of plastic and springs and painted smile. To Erich Streator, she is the most unwelcome addition to his household—but without her, he'd never enter the Twilight Zone."

One of television's most effective uses of the killer doll trope is a 1963 episode of The Twilight Zone titled "Living Doll." This is the 126th episode of The Twilight Zone, so viewers knew what to expect. Christie is a little girl in need of comfort, so her mother, Annabelle, buys Christie a new doll. When the doll is wound up, it says "My name is Talky Tina and I love you very much." At least at first. Christie's duress comes from her new stepfather, a pathetic, impotent man who is infuriated with his inability to procreate. He channels this frustration at Christie, who tries desperately to hang onto her new friend. When Erich is alone with Talky Tina, instead of its catchphrase, it utters threats and insults like "I don't like you." After throwing the doll away, Erich receives a call, and the doll's voice threatens to kill him. But how did Tina get there?

Viewers knew tuning into The Twilight Zone that they'd be in for a scare. But sometimes, things are all the more frightening for being present when we don't expect them. In the 1978 Waltons episode "The Changeling," a doll takes on a life of its own. This is particularly scary because The Waltons isn't typically a show with supernatural themes. 

The trope of the killer doll will likely be around for as long as there are stories. Today, the archetype is injected with all the failings of modernity. We've seen artificial intelligence turn on its creators in M3gan. The Child's Play remake makes grisly use of all the "smart" connectivity features in modern appliances. And the Conjuring franchise packs some old-school scares with its Annabelle doll. Chucky, too, has a new life on TV, slicing and dicing in brand new stories with brand new queer characters.

We can project onto a doll whatever we want. The innocence is only there until a human comes along and disturbs it. That's one specific that is true of most killer doll stories. Rarely is the doll's hostility unprovoked; they're usually righting some wrong, or setting up a climax where somebody gets their just dues.

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11 Comments

cjraket 4 months ago
LOVE Living Doll w/Talking Tina & a very young Telly Savalas
WilliamJorns 8 months ago
I remember being freaked out by the story of a killer doll in an issue of Creepy magazine back in the summer of 1977. It involves an innocent-looking doll, delivered by a sinister Santa (who turns out to be the devil himself) to a little girl on Christmas Eve. The doll turns into a vampire and bites the little girl on her neck, turning her into a vampire as well. The girl's mother is forced to kill her daughter and behead the doll, after which she ends up in an insane asylum, clutching the headless doll as she tells her story to her psychiatrist. Fits right in with the killer-doll trope discussed in this article!
daDoctah 8 months ago
Is it just me, or does the face of the Talky Tina doll look an awful lot like a juvenile Elizabeth Montgomery?
KJExpress daDoctah 8 months ago
Now that you mention it, I do see a resemblance. 🤔
Runeshaper 8 months ago
True! Just look at the first Toy Story.
harlow1313 8 months ago
Well, Kitty Carryall gave me the creeps. That, and Cindy's too-short dresses.

But Edward Wolfgang's Wolf-Wolf Doll is very cool.
daDoctah harlow1313 8 months ago
Kitty Carryall didn't creep me out as much as Mrs Beasley on "Family Affair". But I think that was down to Anissa Jones' delivery every time she mentioned the name.

(Another "doll" story from the golden age of television was when Paul Winchell was asked to visit a sick Russian girl in the hospital. He of course brought his ventriloquist's dummy of Jerry Mahoney with him, and as soon as the girl saw him she smiled and called out "Kukla!" Winchell almost backed down from the appearance because he thought she had mistaken Mahoney for Burr Tilstrom's puppet and would be disappointed when she realized it wasn't, but someone at the hospital explained that "kukla" is just the Russian word for "doll".)
Andybandit 8 months ago
The different dolls on different show are scary. Especially the Trilogy of Horror one.
RobertK 8 months ago
Dolls can be creepy just like clowns. I still think the crazy Zuni doll from Trilogy of Terror was one of the scariest. The Living Doll Twilight Zone episode is not at all one of my favorites. Erich was a total, (I can't say it here) in this show...
DocForbin 8 months ago
It's just a shame that the legendary June Foray--who did the voices of Rocky the Flying Squirrel and Natasha Fatale from "Bullwinkle"--didn't get on-screen credit for voicing Talky Tina. She also provided the voice for the real-life Chatty Cathy doll as well.
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