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Andy Griffith didn't like watching the first season of The Andy Griffith Show, and changed because of Howard McNear
The real reason Andy Taylor changed between Season One and Season Two
The best actors evolve in their roles. If a person is lucky enough to play the same character for years, that time can be used to develop the part into a more believable, fuller person. When an actor returns for a sequel, we expect their portrayal to be a bit deeper and a bit more rich. After all, like any profession, acting is made better with practice.
Andy Griffith began developing the Andy Taylor character long before The Andy Griffith Show premiered. Earlier in his career, Griffith employed a heavy-handed, grinning Southern dope persona that would follow him into show business. His clumsy, rural act was a crutch that Griffith relied on less and less as he became more comfortable and experienced in front of the cameras.
Producer and director Aaron Ruben reflected on the ways Griffith grew as a performer in Richard Michael Kelly's 1981 book The Andy Griffith Show:
"He was being that marvelously funny character from No Time for Sergeants, Will Stockdale— not quite that broad because he was still sheriff, but in that direction. One day he said, 'My God, I just realized that I'm the straight man. I'm playing straight to all these kooks around me.' And he told me once, "You know, I find it hard to look at the first year's show on reruns.' He didn't like himself— and he was right, and in the next season he changed, becoming this Lincolnesque character."
When Griffith first graced the screen as Sheriff Andy Taylor, he had minimal television experience and relied on his instincts to guide his character work. However, as the show continued, Griffith grew with it, relaxing into the role. This change was fundamental in the show's success and popularity. In Kelly's book, Griffith explained how new characters coming into the show helped him realize what his role should be.
"Now in the ninth show we put in a barber, and the old gentleman was just scared to death— he couldn't remember his lines and he wasn't funny— so we reshot all of his scenes later with another man named Howard McNear, who played Floyd the barber. He was the second character we added. Over the years we added various other characters as we needed them, and our show became what it was— what it didn't start out to be, but became what it was."
The shift in Griffith's work changed the shape of the show around him. With Andy Taylor in a more relaxed, protective mode, it gave Barney Fife the freedom to create more problems for the Sheriff to solve. Taylor didn't need to be the driving force for the comedy and instead became the focal point of the show's stories.
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But Howard was a biggie and very good in old time radio (must have been camera fright for him on the tv show).
Only 1 episode
(per IMDb)
Side note; you gotta love a good barber!
my very favorite episode is Convicts-at-Large. It is hilarious from beginning to end, and when
Barney tells Maude, "You're beginning to get to me," and that actress, bless her, let herself be the embodiment of "not hot", and then Floyd comes out and says, "If those hamburgers burn, it's not my fault!" I think, too, that actress (Reta Shaw) must have been the picture Disney animators had in mind when they drew Mim the witch for "The Sword and the Stone" because the episode was in 1962, and the movie was in 1963. Also, TAGS made her look so pretty as Eleanora Poultice, Barney's voice coach in the episode "Song-Festers". I also love the Christmas Story episode and ironically, these two are #1 and 2 on IMBD's top-rated episodes.
