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Bob Crane turned down three sitcoms before ''gambling'' on Hogan's Heroes
"I bet a fortune that I could make a million — and won," Crane bragged.
Before he became a television star, Bob Crane had the ear of everyone in Hollywood. He gabbed at them at their breakfast table, in their showers and in their cars during their morning commutes. He was the hottest morning DJ on Los Angeles radio.
Crane was pulling in a hefty salary as an A.M. emcee on KNX. Being a disc jockey earned him $75,000 a year in the early 1960s. Don't sound like much now, but that's the equivalent of about $650,000 in today's cash.
"Millions of Southern Californians became addicted to the irreverent fun-maker," Hollywood gossip columnist Florabel Muir wrote in 1968. "Bob kidded his listeners, his sponsors, his guests, and himself in a wildly formatted show that had to be heard to be believed." In a way, he was a forerunner and pioneer of the "zoo crew" and shock jock format so common in morning radio. He'd be huge on Spotify today. Back then, television came calling.
As he was working for KNX, a CBS radio station, Crane also landed a supporting role on The Donna Reed Show. His salary for that gig was equivalent to his radio paychecks — $75,000 a year.
Giving that up for a sitcom of his own was a "gamble." That's how every newspaper article framed it in 1965. If he quit his radio job for a television show — well, that show could last a mere 13 weeks before being canceled. That happens more often than not in TV.
Crane was rolling the dice when he opted to headline Hogan's Heroes. Especially when you consider the concept.
But he "turned down three roles" before picking Stalag 13, according to an Associated Press article in the fall of 1965, shortly after Hogan's Heroes premiered. One of those was, like his radio show, a talk show, a late-night role akin to Tonight with Jack Paar (you know, the predecessor to Johnny Carson). Studios saw him as a potential next Jack Paar. They also offered him two plum sitcom leads — in Please Don't Eat the Daisies and My Living Doll.
Please Don't Eat the Daisies was an adaptation of a hit 1960 film (which itself was based on a bestselling book), about a couple living in an old house raising four rowdy boys with the help of a housekeeper. (There was a dog, too.) My Living Doll offered far more fantastic fare — it was about a man and his beautiful android (Julie Newmar), Sixties comedy along the lines of Bewitched and My Favorite Martian.
"I had to talk for a long time to explain to the producer that I wasn't right for Please Don't Eat the Daises," Crane told the AP. "I also had to explain why I didn't want to do My Living Doll."
What made Hogan's different?
"Basically, in Hogan's, I play myself," Crane explained to Muir.
Like Hogan, Crane was a gambler. With his career, in particular. He bet $75,000 that he could make a million on Hogan's Heroes — and won.
"I've done it before — bet a fortune that I could make a million — and won," Crane bragged to Muir, "and I'll do it again if necessary."
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57 Comments
Both men played a "type" of a good natured, second in command, Sergeant. Who were more on the side of the opposition than their own boss. Both men were slightly greedy, but with a good heart. They both got into trouble constantly, and were tall, fat, and jolly, kind of like Santa Clause. Last, they both had a tremendous amount of charisma, and the audiences loved them. There are definite parallels between those two characters. I wouldn't be surprised if Sgt. Garcia was the model for Schultz.
If it gets scratches, I'll get another
I
I know that one can disagree with a focus group. Feldman assembled another one who watched an episode with and without a laugh track; he was considering not using one. The group voted for the laugh track, though, and I can't stand the thing. They play it when nothing funny is happening, and sometimes it's loud enough to drown out the dialogue.
Should be doesn't, not don't. A real writer would know that.
And the contraction of 'it is' is spelled it's.
I saw Crane last Sunday in an episode of DVD and almost didn't recognize that it was him, until I watched him for a couple of minutes. Nothing like Hogan, and yet hysterically funny for the bit he had to do. He was so talented, and gone far too quickly.
Big name alumni.
All I'm saying is that these very most popular stars didn't intentionally fall from grace, or become any less than their potential ever was. Just that the market changed around them! One-of-a-kind roles/situations put them at the top. And it was very difficult to replicate over and over.
In fact we wouldn't have wanted it that way. Or these truly classic comedies never would've stood out (and the test of time) as much as they have today!!
We don’t know the goals of the actors. After a tv show goes off the air many actors want a break. Others want to do something else. Actors have decided to quit acting after a series ends. Some don’t want to get tied down to a series again, especially after finishing one. Others do want to get back on the horse. Some go off to perform on stage. And yet others move behind the scenes.
There are also the actors who have successful acting careers you may not know about.
Look at Robbie Rist. He was on 5 episodes of The Brady Bunch before it was canceled. Before jumping the shark, shows were cousin olivered. (Okay, I made that up.)
But then you look at his resume, he has 156 IMDB credits. He mostly moved into voice-over work and is still working today.
They did give Bob Crane his own variety hour, though it only lasted 14 episodes. He still had a bunch of credits to his name too. But we also need to remember he had a flawed personality, and still died with a net worth of $250K if what I read is correct. (Adjusted for inflation that’s over $1M.)
